Phase I — Structure
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"Every dot is a decision. Every decision, two decades in the making."
01
The Technique
Stippling is patience made visible.
No gradients. No lines. No shortcuts. Every shadow, every texture, every fold of fabric is built from individual ink dots. Density creates depth. Proximity creates form. This is not a style — it's a discipline refined across two decades of practice.
I
Density as Value
Only the proximity of dots creates the illusion of shade and three-dimensional form.
II
Surreal Precision
Anthropomorphic birds in formal attire — absurd subjects rendered with surgical detail.
III
Ink & Patience
Each piece requires thousands of individual hand-placed dots. There is no undo.
IV
Walls to Chain
From 25-metre murals to 1,111 on-chain pieces. The medium changes; the mastery endures.
02
The Journey
From the walls to the market.
2004
Begins painting city walls, developing a visual language rooted in stippling and surrealism.
2010s
Editorial commissions for The New York Times, Harper's Magazine, and MIT Technology Review. Murals scale to 25 metres in Romania.
2020s
Exhibitions across Taipei, Warsaw, and Barcelona. A global visual language, instantly recognisable.
2025
The Beaks. 1,111 surreal, stippled birds arrive on-chain. The first chapter of something longer.
03
The Collection
1,111 pieces.
Each one irreversible.
Each one irreversible.
Supply
1,111
Artist
Dima Kashtalyan
Experience
20+ Years
Technique
Hand Stippling
Launchpad
OpenSea